23 - 27 October 2019
Paupers Press will be participating in the 2019 IFPDA Print Fair, the largest and most celebrated art fair dedicated to fine prints
New publications by James Turrell, Sarah Ball and Jake & Dinos Chapman
Find out more: Print Fair
James Turrell
James Turrell
Jake & Dinos Chapman
Sarah Ball
at the Royal Academy of Arts
Paupers Press launched new publications by Hughie O’Donohue and Jake & Dinos Chapman.
For further information on the fair visit www.londonoriginalprintfair.com
Hughie O’Donohue,
The Painter Vangogh
Jake & Dinos Chapman,
The Rainbow of Human Kindness VI Polymer Etching
New York
25 - 28 October 2018
Paupers Press participatedin the 2018 IFPDA Print Fair, the world's leading art fair for prints, old master to contemporary.
Stephen Chambers
Hughie O'Donoghue
Sarah Ball
Rebecca Scott
3 - 6 May 2018
Paupers Press launched new publications by Jake & Dinos Chapman & Sarah Ball.
Sarah Ball
Jake & Dinos Chapman,
Come Hell of High Water
26 - 29 October 2017
Paupers Press participated in the 2017 IFPDA Print Fair, the world's leading art fair for prints, old master to contemporary.
Jake & Dinos Chapman,
Come Hell of High Water I
Jake & Dinos Chapman,
Come Hell of High Water II
Michael Taylor,
Avenues & Illuminations I
Michael Taylor,
Avenues & Illuminations II
4 - 7 May, 2017
Paupers Press launched new publications by Stephen Chambers & Hormazd Narielwalla.
Stephen Chambers,
The Court of Redonda (Occupant 16)
Hormazd Narielwalla,
The Mesopotamian Maze No.1
21 September 2016
We are pleased to announce that artist Hormazd Narielwalla has been awarded the Paupers Press Prize as part of the International Print Biennale.
We will be launching the work produced as a result of his residency at the 2017 London Original Print Fair held at the Royal Academy, London.
Hormazd Narielwalla,
God Save the Queen, 2016, relief letterpress on Savile Row tailoring patterns
On view at Kamel Mennour , Paris until 26 November 2016 are a series of gravure etchings by Jake & Dinos Chapman, part of an ongoing project, "The Prints of Human Kindness".
The exhibition "Back to the End of the Beginning of the End Again", is based around the 2004 East London warehouse fire that destroyed countless artworks—including the Chapman's own sculpture Hell (1999-2000) — the show being a direct response to the work that was destroyed.
For more information please contact the publishers, Counter Editions
Jake & Dinos Chapman, The Prints of Human Kindness, 2016
Working with Paula since 1998 on both etching and lithographic projects, we have been able to see how much the processes and techniques of printmaking underpins her overall practice.
Combining Paula's familiar etched outlines with tonal gradations of aquatint and layers of gold ink, this new work, 'Rumpelstiltskin', came about when Paula asked Nicolas Serota, Director of Tate, to name his favorite fairy tale.
The resulting edition was later donated by the artist to the Tate Gallery
Paula Rego, Rumpelstiltskin 2016, etching, edition of 40, 45.5 x 56cm
Paupers Press participated in the 2016 IFPDA Print Fair, the world's leading art fair for prints, old master to contemporary.
Paupers Press has printed with artists Tracey Emin & Benjamin Senior at our Hoxton studio to produce two lithographs commissioned for the official portfolio of limited editions prints for the 2016 Olympic Summer Games in Rio de Janeiro.
True Love Always Wins, by Tracey Emin and Stroke Tempo, by Benjamin Senior, celebrate the spirit of Rio and Team GB's participation in the games. These are two of eight lithographs included in the official portfolio published by Counter Editions.
For more information please contact the publishers, Counter Editions
Tracey Emin
True Love Always Wins, 2016
Benjamin Senior
Stroke Tempo, 2016
Tracey Emin making preparatory drawings at the Paupers Press Studio for True Love Always Wins in 2016.
"The beast still lurks, but he's very well-behaved" - Grayson Perry
Animal Spirit is the fourth project by Grayson Perry printed by Paupers Press and published by Paragon Press.
This large-scale woodcut and a smaller etched version were inspired by his conversations with bankers and stockbrokers for the final episode of his Channel 4 series, All Man, exploring masculinity in the 21st century.
For more information, please contact the publishers Paragon Press
Animal Spirit by Grayson Perry
The Chapman Brothers' collaboration with Paupers Press dates back to the second half of the 1990s, with "Am Anfang Kommen II & III" being the third publication Paupers Press have released by Jake & Dinos.
Using the richly tonal method of copperplate heliogravure etching, in Am Anfang Kommen II & III the Chapman Brothers have constructed a discontinuous scene from densely interwoven and overlaid image fragments.
Often beginning with illustrations from children's colouring books and dot-to-dot books, these etching share a suggestion of a normative, safe modeling of reality for unformed minds with a twist.
Am Anfang Kommen II & III will be exhibited by Paupers at the IFPDA Print Fair in New York in November 2016.
ake & Dinos Chapman
Am Anfang Kommen II & III
Bill Viola's lithographic print Madhumalati, printed by Paupers Press, was created to accompany his exhibition held at the Yorkshire Sculpture Park in October 2015 to April 2016.
The lithograph features text written by the 16th century Indian Sufi mystic Mir Sayyid Manjhan Shattari Rajgiri, Madhumalati telling the love story of prince Manohar and princess Madhumalati who must suffer separation and self-transformation before coming together in true happiness.
For further information please contact Yorkshire Sculpture Park
Bill Viola
Madhumalati
Paupers studio has for the past 10 years co-ordinated the Artists International Print Project at studios in Venice, Italy and St. Avit, France.
The Artists International Print Project, Venice, initiated in the summer of 2002, is a collaboration between Michael Taylor & Simon Marsh of the Paupers Press & the Scuola Internazionale di Grafica in Venice.
The project invites artists to work within the scuola's printmaking studios in the Cannareggio area at the heart of Venice. Using the monoprint as a starting point, artists are encouraged and supported to explore and develop potential new avenues for their work within the culture, history and artifacts of one of the centres of the Italian Rennaissance.
